Claude McKay

Claude McKay was born in Jamaica on 15th September, 1890. He began writing poetry as a schoolboy. He worked as a policeman in Spanish Town and when he was twenty-two had his first volume of poems, Songs of Jamaica (1912) published.

In 1912 McKay moved to the United States where he attended Tuskegee Institute in Alabama and Kansas State University. He continued to write poetry and in 1918 his work was praised by both Frank Harris and Max Eastman. The following year, his poem, If We Must Die, was published in Eastman's journal, The Liberator.

Frank Harris encouraged McKay to obtain writing experience in England. In 1919 McKay travelled to England where he met George Bernard Shaw who introduced him to influential left-wing figures in journalism. This included Sylvia Pankhurst, who recruited him to write for her trade union journal, Workers' Dreadnought. While in London McKay read the works of Karl Marx and becomes a committed socialist.

In 1921 McKay returned to New York and became associate editor of The Liberator. Over the next year the journal published articles by McKay such as How Black Sees Green and Red and He Who Gets Slapped. He also published his best known volume of verse, Harlem Shadows (1922).

In 1922 McKay went to Third International in Moscow where he represented the American Workers Party. He stayed in Europe where he wrote Trial by Lynching: Stories About Negro Life in America (1925) and Home to Harlem (1928), a novel about a disillusioned black soldier in the US Army who returns from the Western Front to live in a black ghetto. This was followed by other novels such as Banjo (1928), Gingertown (1932) and Banana Bottom (1933).

McKay gradually lost faith in communism and returned to the United States in 1934. Employment was difficult to find and for a while he worked for the Federal Writers' Project. McKay's published work during this period included his autobiography, A Long Way From Home (1937) and Harlem: Negro Metropolis (1940).

Unable to make a living from writing, McKay found work in a shipbuilding yard. In 1943 he suffers a stroke and the following year was baptized into the Roman Catholic faith. In 1945 his essay, On Becoming a Roman Catholic, was published. Claude McKay died in Chicago on 22nd May, 1948.

Who is the real Superman?

Who has the right to be called the man of steal? Is it Dwight Howard or Shaquille O'Neal? If you look at both players resumes, It’s impressive to see what they have done, and the impact that they have made this far. Especially Shaquille O'Neal, who has been in the league for 18 years, and has won 4 championships, as he is on his way to maybe winning his fifth. He has displayed superman like stats over the years, and he has been proclaimed the most dominant player in the history of the game. Just look at the monstrous numbers he has produced. He is in fifth place for the all-time scoring list. Dwight Howard, who is an upcoming big man, has distinguished himself from the other centers in the league. He has displayed some impressive numbers, and has been considered one of the best leapers in the game today. Dwight Howard under the guidance of Patrick Ewing, he has shown glimpses of what's about to come, not to consider he has not reached his prime. I feel that both extradinary centers, but its Shaquille O'Neal who has the right to claim the title as the original man of steal. For what he has done for the game of basketball already. If you ask me in twenty years, maybe my opinion will change, but for now, I am going with the Diesel. Shaquille O'Neal who has changed the game with his dominance during my generation. Who do you think has the right to be called the man of steal?